Category Archives: Shahidul Alam

shahidul

Posted on 11 April 2008 by Shahidul Alam

Flowers on a Grave

He had been quietly playing by himself as his grandmother talked to the strangers. But we had made eye contact. He wanted to make friends, and a smile spread over his face as I approached. Suddenly he ran. I knew kids well enough to recognise that this was not a hide and seek game. There was fear in his eyes. He had seen the camera in my hands.

One of the witnesses, a grandmother in Sisak, who did not want to be recognisable. April 9, 2008. Sisak. © Shahidul Alam/Amnesty Internatioanl/Drik/Majority World

His grandmother had told us that she must not be recognisable in the photographs. Others we were interviewing had agreed to be photographed, but she didn’t feel safe. Her grandson also knew the danger of being recognisable in this war torn land.

Jasna Borojevic talking to Irene Khan in Sisak, She was a Croat. Her husband had been Servian. April 9. 2008. © Shahidul Alam/Amnesty Internatioanl/Drik/Majority World

Secretary General of Amnesty International, Irene Khan during meeting with one of the witnesses in Sisak, April 9. 2008. Shahidul Alam/Amnesty International/Drik

Irene Khan talking to Jasna Borojevic. © Shahidul Alam/Amnesty Internatioanl/Drik/Majority World

It was my first trip to Croatia, and while I was hoping to meet my old friend Sasa, I hadn’t quite expected someone to sneak up on me at the main square in Zagreb. It was a long warm hug. We hadn’t seen each other for a very long time. Excusing myself from my colleagues at Amnesty International, Sasa and I went out walking into the cool spring night. He had found love in Iraq, and she had followed him to Croatia. I had heard of Cyrille, but we had never met. She soon joined us at the restaurant, dragging two other friends along. “You two look like lovers” she told us with a disarming smile. Sasa and I had known each other for many years. We first met in Jakarta where I was running a workshop for World Press Photo. We had later met in Kuala Lumpur and Geneva, and he had even come over to teach at Pathshala, but we had never met in his home town. He had offered to drive me over when I had gone for a short trip to Belgrade, but visas for Bangladeshis were never easy to get. Even on this trip, Irene Khan the secretary general of Amnesty International had visa problems because of her ‘green’ passport. It had taken Sasa and I many years to find a way to walk together on the cobbled streets of Zagreb.

The conversation took us to his island where he now raised goats. To China where the two of them were going to teach photography. To his war wounds, and how his body was failing him. I had an early start for Sisak the following day and we parted reluctantly.

 

Vjera Solar in Sisak, with portraits of her Croatian daughter and her Serbian boyfriend. Her daughter was killed. April 9. 2008. © Shahidul Alam/Amnesty Internatioanl/Drik/Majority World

Sisak brought the memories of “1971″ flooding back. The disappearances, the not knowing, the guilt. Croat Jasna Borojevik would always wonder whether she should have asked her Serbian husband to leave her, knowing that he was in danger. Perhaps she should have risked losing him, knowing that he might have lived. Viera Solar moved the photograph of her daughter and her Serbian boyfriend to the wall where she was sitting. She wanted the photograph of the handsome dancing couple to be included in my photograph. She broke down in tears as she spoke to Irene, but steeled herself to serve us bread and cheese. The grandmother of the scared boy had lost a son. She had her grandson to look after, and while she was eager to tell her story, she was still scared. Being photographed was dangerous.

Stjepan Mesić president of Republic of Croatia. © Shahidul Alam/Amnesty Internatioanl/Drik/Majority World

 

Peacock in the gardens of the presidential palace. © Shahidul Alam/Amnesty Internatioanl/Drik/Majority World

The trip through the wooded lanes to the President’s office in the morning and photographing him and the peacocks in his manicured garden, turned out to be more interesting than expected, but I rushed to go online to check if the Guardian piece on our “1971″ exhibition, on war of liberation, had come out. That too had it’s share of killings, disappearances, de-humanisation. Dodi and Diana had bumped us off on Tuesday when it had been scheduled to come out. The mail from Mark at Autograph confirmed that we had four pages in the printed version. As I explained this to my Amnesty colleagues they asked me about the history of our war. David constantly asked what the motive had been. As we had dinner at Sasa’s parent’s house, I asked Sasa the same question. Yes he said. Some politicians won. Some opportunists made money. But the atrocities on both sides, meant homes were shattered. Lives broken. Nations destroyed. Minds fractured.

I recall the woman who wanted to know what had happened to her husband “So I can place flowers on a grave and mourn”, she had said. I remember the fear on the little child’s face as he saw my camera, and wonder if one ever really wins a war.

shahidul

Posted on 06 April 2008 by Shahidul Alam

Bangladesh 1971

[Update-1]: Related readings

[Developing Blog]

They had risked all to hold on to this moment in history. The scarred negatives, hidden from the military, wrapped in old cloth, buried underground, also bore the wounds of war. These photographers were the only soldiers who preserved tangible memories, a contested memory that politicians fight over, in their battle for supremacy. These faded images, war weary, bloodied in battle, provide the only record of what was witnessed. Nearly four decades later, they speak.

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Women marching in the streets of Dhaka. 1971. © Rashid Talukder/Drik/Majority World

A photographic exhibition and film season that focuses on one of South Asia’s most significant political events: the foundation of Bangladesh as an independent state.
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Pakistani soldiers surrendering on the 16th December 1971. © Aftab Ahmed/Drik/Majority World

The Bangladesh war of independence in 1971 was one of the bloodiest conflicts in living memory. In an attempt to crush forces seeking independence for what was then East Pakistan, the West Pakistani military regime unleashed a systematic campaign of violence that resulted in the deaths of thousands of Bangalis. Many of the photographs from the unique collection of the Drik archives will be shown in the UK for the first time.

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Dismembered head at the Rayerbajar Killing Fields where intellectuals were slaughtered on the 14th December 1971 © Rashid Talukder/Drik/Majority World

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Victorious Mukti Bahini returning home at the end of the war. © Jalaluddin Haider/Drik/Majority World

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Sheikh Mujibur Rahman on his return to Bangladesh from Pakistan. 10th January 1972 © Rashid Talukder/Drik/Majority World

In 266 days Bangali, hill people and Adivasi resistance fighters and their allies defeated the military forces of Pakistan. The result was the birth of a new nation - Bangladesh - and the dismemberment of Pakistan.

It was only after the 16th of December 1971 when Pakistani troops surrendered in East Pakistan, that Bangladeshis began to realise the scale of the atrocities committed during the previous nine months.

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Children amidst shells. © Abdul Hamid Raihan/Drik/Majority World

1971 was a year of national and international crisis in South Asia. The history of Bangladesh is implicitly tied to the partition of India in 1947 and therefore the tragic events of 1971 are linked to Britain’s colonial past. For Bangladesh, ravaged by the war and subsequent political turmoil, it has been a difficult task to reconstruct its own history. It is only during the last few years that this important Bangladeshi photographic history has begun to emerge.

Now decades after the war, Autograph ABP in collaboration with Drik presents a historical photographic overview of Bangladesh 1971 at Rivington Place.

Project Description:

A major documentary photographic exhibition of primarily Bangladeshi photographers that focuses on the independence struggle in 1971. The exhibition is produced in partnership with Shahidul Alam, Director of Drik, a media activist and journalist from Bangladesh. This will be the first comprehensive review in the UK of one of the most important conflicts in modern history. It is recognised that over a million people died in 266 days during the struggle for an independent Bangladesh.

UK partner Autograph ABP. Curator Mark Sealy, director of Autograph ABP.

Exhibition open to public April 4th – 31st May 2008
Press View - Both curators will be available to meet the press 11.30am – 1pm April 3rd

The exhibition is accompanied by the Bangladesh 1971 Film Season throughout April 2008 in partnership with Rich Mix and The Rainbow Film Society. Please see attached document for full details.

For further information or images, contact Indra Khanna 020 7749 1261 or David A Bailey 020 7749 1264.
Autograph ABP, Rivington Place, London EC2A 3BA.

Notes:

VENUE
Rivington Place
off Rivington Street
London EC2A 3BA
020 7749 1240

April 4th – 31st May 2008
Open Tuesday - Friday 11am - 6pm
Saturday 12pm - 6pm
Entry is free. Venue is wheelchair accessible.

• Shahidul Alam: Curator, photographer, activist. Gallery Talk (in Bengali) 2pm April 5th
• Mark Sealy: Director of Autograph ABP. Gallery Talk (in English) 6.30pm April 17th
• Many other talks and events to be confirmed
• Bangladesh 1971 Film Season throughout April 2008 in partnership with Rich Mix and The Rainbow Film Society
• Special screening of documentaries and artists’ films at Rivington Place to be announced

Photographers included in the exhibition: Abdul Hamid Raihan, Aftab Ahmed, BegArt Collection, Golam Mawla, Jalaluddin Haider, Mohammad Shafi , Naib Uddin Ahmed, Rashid Talukder, Sayeeda Khanom and Bal Krishnan.